Poetry course

POETRY COURSE

When talking about poetry, writer Virginia Woolf said that the purpose of a poet is to describe honestly and accurately a world that, as a possible thing, never existed for any person. Each poem, sonnet or haiku is a separate universe where all laws obey the imagination of the poet. However, how to open the gates to those unknown worlds with the help of words, rhyme, rhythm, language tools alone?

In this course, Assoc. Dr. Gabrielė Labanauskaitė will help tame poetry to those who are afraid of it, and will introduce those who are already skilled to the techniques and intricacies of this literary genre. Aušra Kaziliūnaitė, the author of 6 poetry books, whose work has received numerous national and international awards, will lead one of the course sessions.

Lenght: 21 academic hours

IN THIS COURSE:

  • you will open the door of poetry, which will give space for creativity to spread and help you in difficult moments of life;
  • you will get to know the diversity of poetry genres and the uniqueness of each of them;
  • you will play in rhyme and rhythm;
  • you will get to know the fastidious Miss Metaphor and other decorations of speech better;
  • you will test the methods of creating poetry and develop your writing skills;
  • you will create, read and generally increase your understanding of what poetry is;
  • at the end of the course you will receive personal feedback about your creation;
  • if you miss the session, you will be able to view the video material;
  • you will expand the circle of creative like-minded people.

UNIQUENESS:

What makes this creative writing course different from other similar courses?

  • this is the only poetry writing course in Lithuania so far;
  • the course program is special in its completeness and in-depth study of the material, enriched with many practical exercises and advice;
  • you will create together in a small group;
  • the course is playfully led by the poet and playwright Gabrielė Labanauskaitė, and feedback will be provided by the poet Aušra Kaziliūnaitė, who has published six books of poetry.

FEEDBACK: 

I would describe this first poetry course as very comprehensive. It was very interesting and meaningful to get acquainted with the structures, formulas, and possibilities of creating poetry, while at the same time allowing to feel the absence of those boundaries. Inventive tasks, as always, awakened creativity, encouraged independent work, and perfectly filled our time with poetry. And also the feedback that Aušra Kaziliūnaitė gave us in the last lecture was extremely interesting and rich in all senses. – Sandra Sparnaitiene

During this course, I received structured, clearly, and interestingly conveyed knowledge about poetry, different styles and genres. Gabriele also always provides tools that help you create and enable you to work independently. I am so grateful for all the fellowship, inspiration, support, and encouragement to move along my path. During these trainings, it was a great joy to hear the feedback of writer, teacher, poet Aušra Kaziliūnaitė about my work and that of other training participants. Such support helps a lot and encourages me to feel more confident in creating poetry. – Justina Butkutė

VIDEO:


You can know the dates of the recent courses by e-mail → [email protected] or social media IŠ TYLOS

Nunu Project

“NUNU” PROJECT

 

NUNU was a special project connecting the Holy Trinity of poets – Gabrielė Labanauskaitė, Žygimantas Mesijus Kudirka and Darius Zaizras Jurevičius. They aimed to perform poetry in the most innovative ways possible. During a performance selected pieces of poetry were being conducted, projected and performed live in various voices and tones.
 
NUNU served as an impulse for a dialogue between the poetry and its delivery to the audiences. This project combined the ideas of three different performers, who delivered them in the creative variations of sounds, visuals and gestures.

 
Photography: artnews.lt
 

There is a billion ways to write a poem, but when three artists start working on one poem, the real challenge begins. All the performed verses were a result of the fusion among project members. At the beginning of each meeting a group would sit, choose a topic and write using effective methods of creative writing. They harnessed the principles of surreal and automatic writing that helped the group to come up with the postmodern and intensive creative work.
 


 
Instead of music poets were using documentary-style visuals. These visuals portrayed the real people in the streets, who were trying to conduct the rhythm and the feeling of a particular poem. But it was no ordinary conduction: the group decided to forget everything they had ever known about the conducting and devised an innovative technique of conducting.. poetry. Three of them came up with a special code consisting of a dozen particular signs, giving the special effect to the narrative of the poem.
 

Is it still hard to imagine this creative process? Please, take a look at this live video of NUNU performance in Tartu, Estonia!
 

Awakening

AWAKENING

 

They said: walk with a spring in your step – girls walk lightly with a smile,
They said: no one dresses like that – this skirt is too short,
They said: no one dresses like that – this skirt is too long,
They said: sky-blue panty hose only fit with sky-blue clothes, red – with red,
Home Control assiduously inspected even the color’s shades.
 

They said: stop eating, you’ll be like a cow

[I often gazed at cows. Conclusion:
no similarity. Cows are very pretty.]

 

They said: eat, otherwise you won’t be able to have children – you master of the fast.
They said: but if you want children, you can have them without men, children don’t
need men

[Nor men – children, was my conclusion,
according to this logic. QED.]

 

They said: live how you want, you know what you’re doing – everything was said
with love,
Playing handball – a boy’s game,
Hockey – a boy’s game,
Swimming – a game without gender, but revealing it.
 

After that, they said: girl’s don’t fight – when I kicked a classmate in the nose
Who decided to cop a feel of my burgeoning breasts,
They said: I wouldn’t want such a daughter, so help me God –
When they found a bag of peas in my backpack, though I battled with the boys
Who would have been, we should understand, fitting sons;
They told my mom: she’ll grow up a lesbian, look what she does with those girls
In that room, pretending to play doctor;
They said: everything outside the norms is a perversion,
They said: even the neighbor fixed herself, from a tomboy to a taxi driver, in
Amsterdam,
They said: don’t talk to the other neighbor who is always trying
To fly like a bird from her balcony, and one time she succeeded,
 

They said: you goat, you can’t drive, and then they said: for a girl, you drive well;
They said: do what you know best, though they didn’t think I knew anything.
They said: “NO” so many times for so long and so persistently
That I became the girl in the tower of glass, lulled by rosy illusions,
An obedient, deafened girl, layed out in the coffin of the beauty myth.
But one day, I woke up – kissed by feminism’s frog.
I woke up and said: you can all just fuck off!
 

Translation by Rimas Uzgiris of a poem „Pabudimas“ by Gabrielė Labanauskaitė

War

WAR

 

They set other lives aflame with candles
And the smoke of unspeakable sweetness
Drifts across the floor, trampled by military boots
 

O inspire me with southern
Harshness
So I won’t have to sigh at a nearby table
Inhaling 103 cigarillos

 

It’s raining again today
Another war is declared.
A tear drops
Into an ashtray.

We Have Never Always

WE HAVE NEVER ALWAYS

 

We have never sailed on the lake, river or floated on top of the Dead sea.
We have never been at a concert, cinema or exhibition together.
We have never said to each other: look, this is a genius picture!
We have never climbed on the top of the roof or mountain.
We have never gone around the world in the same boat.
We have never given flowers to each other or presents.
We have never felt how it’s to move on the same dance floor.
We have never licked melting ice cream together.
We have never asked much about the roots of each other.
We have never combed each other’s hair, gently and slowly.
We have never felt Tuesday, Wednesday or Thursday together.
We have never worked together, fighting with passion.
We have never been skating, skiing, running, long walking together.
We have never got lost in the forest or in the parking lot under a shopping mall.
We have never gone hunting, shooting, fishing or picking up berries.
We have never made food, coffee or tea or some other disaster.
We have never played cards or lost our last money at the casino.
We have never smoked weed, gone high with all other good or bad stuff.
We have never got dizzy, drunk or lost in the labyrinths of consciousness.
We have never called each other by phone.
 

We don’t even have each others’ telephone number.
 

So why do I feel knowing you so well?
Why do we feel knowing each other more than
thousands of years?
 

We have dived in each others’ bodies, sunbathing in each others’ heat.
We have been drawing inner maps, routes and movements.
We have seen so many pictures of moons and red sunsets.
We have climbed into each other, slipping down and starting again.
We have built a world within a world, it’s spinning in us and around us.
We have painted blue flowers on each others’ bodies.
We danced on the red bed sheet as bull and toreador changing our roles,
Dying, resurrecting, fainting again and again.
We have melted into each others’ palms, becoming teenagers.
We have common roots, past lives and some secret knowledge.
We have stroked each others’ hair with finger combs and shower brush.
We have felt Monday, Friday, Saturday and two Sundays together.
We inspired each other, weaving the carpets of words, everyday longer and bigger.
We went into the curious, spoiled, ambitious, creative, iching territories.
We got lost in each others’ forests and none of us wanted to be found.
We have gone smiling, laughing, kissing, touching and picking up pleasure berries.
We drank water, milkshakes, prosecco and some other bubbles of happiness.
We played distances and proximities, opening cards to each other
and hiding again.
We smoked each others’ lungs, went high by elevators under the ribs.
We got intoxicated and lost in the labyrinths of unconsciousness.
We know each other’s name. We know it by heart. We know, how to write it, to spell
it, to hear it, to swallow it.
It’s tattooed on each other’s skin.
It’s called: my insomnia.

We Swim Through Hair

WE SWIM THROUGH HAIR

 

We swim through hair,
In its whirlpools
We exchange formulae
 

We swim through hair
In its whirlpools
The drains are clogged
 

We swim through hair
In its whirlpools
Mouths full of drowned men
 

We swim through hair
In its whirlpools
The bottom sinks toward us
We do not notice

Red Silk Evil

RED SILK EVIL

 

When I met you, a red silk evil obsessed me.
He told me: it’s nice, but paradise apples gonna melt
As soon, as you taste it.
He told me, it’s too nice – this beauty will cost you
Pulsing insomnia.
He told me, kick her, bite her, run away from her, beat her, smash her,
Provoke, pretend, don’t give up, offence is defence.
He told me, play, enjoy, the goal is the process.
He told me, even if you fall down, all wounds will be healed.
He told me, I am the red silk, everyone will slide down me,
I’ll stay untouched.
 

When I got angry at you, thinking that you wanted to run away earlier,
Evil put a red lipstick into one hand, that you wouldn’t be touching my lips
And into another hand he put a toothbrush – just in case, if I would like
To stab you next morning.
When you have left, red evil lighted a chocolate cigarillo with his one hand and
poured wine into the glass with another.
 

Oh, this red silk evil!
Oh, this red silk evil, who obsessed me after I’ve met you.
Oh, this red silk evil, who obsessed me before I’ve met you!

The Real Mafia

THE REAL MAFIA

 

The real mafia meets in

churches-

as the organ plays

they kiss-

fingers ringed with gold

 

Real killers like

cats,

soft furs
 

and a tear of blood
 
streaming down

a sleeve.

 

[The realest ones
don’t like reality].

Piranhas

PIRANHAS

 

I live in an aquarium

Among the other piranhas
 

I learn to swim

To feel the small fish

To swim up near to him

And to astonish
 

I live and live and live

Among sharp corals and reefs

The glass walls are there

Only to prevent the sleep
 

Because…

when you break through
 

to the other side of the mirror

 
When you break through to the other side of the mirror

 

You will see another aquarium

Where piranha devours piranha

Where piranha devours piranha

Where piranha devours piranha
 

Until

There is nothing but water

In the aquarium

No Wolves

NO WOLVES

 

The wolves are the wolves are the wolves and a rose.
The rose is the rose is the rose and a fire.
The fire is the fire is the fire and a body.
The body is the body is the body and a shame.
The shame is the shame is the shame and a house.
The house is the house is the house and an end.
The end is the end is the end and a choice.
 

The choice is the choice is the choice and a female.
The female is the female is the female and the drums.
The drums are the drums are the drums and a wolf.
The wolf is the wolf is the wolf and a vulva.
The vulva is the vulva is the vulva and a poetess.
The poetess is a poetess is a poetess is a poetess and has no gender.
 

No gender is no gender is no gender and no body.
No body is no body is no body and no shame.
No shame is no shame and no shame and no drums.
No drums are no drums are no drums and no fire.
No fire is no fire is no fire and no rose.
 

No rose is no poetry.
No poetry is no wolf.
No wolf is no end.
No end is no.