Monologues, Dialogues and Polylogues

ADVANCED CREATIVE WRITING COURSE: CHARACTERS TALK.
MONOLOGUES, DIALOGUES & POLYLOGUES

 

These creative writing courses for the advanced level individuals are focused on the language of the characters talk. Direct and internal conversations help a reader to understand a character and its world better. In addition, talking characters bring the vitality and intensity to any kindof story. This kind of course covering the principles of building monologues, dialogues and polylogues between and within the characters requires for different kind of mastery. It is possible to develop such skills without being a playwriter or screenwriter.

Timothy L BrockPhotography: Timothy L Brock

Gabrielė Labanauskaitė seeks to introduce the group to the techniques of building up the monologue, dialogue and polylogue. It is important to make the characters talk and learn to expose their traits and disclose individual stories through conversations with itself and others.

Duration: 20 academic hours

OBJECTIVES:

      • to renew and complement the knowledge of the narrative structure and development of characters;
      • to study the main principles of creating a monologue, to understand its functions and possibilities;
      • to analyze the principles of dialogue construction, its functions and possibilities;
      • to explore a dialogue as one of the narration methods;
      • to create dialogues and dialogue-based writing;
      • to discuss the polyphonics of polylogue and its structural possibilities;
      • to write and cultivate the fantasy in the most playful way;
      • to establish a relationship with other creative members of a group;
      • to discuss recently gained knowledge and share the work written during the course.

 

QUESTIONS TO BE ANSWERED:

      • how to come up with a lively dialogue?
      • how to disclose the inner world of every character through conversation?
      • how to use the language to reinstate a certain action?
      • how to create a dynamic, breath-taking conversation?
      • how to regulate the pace of the narrative through the conversation?

 

PROGRAMME OF THE COURSE:

      • introduction, repetition of the theory of narrative structure and character development, equalization of the information;
      • the principles of creating a monologue, its functions and possibilities, creative writing tasks and exercises;
      • the methods of making a dialogue work, its functions and possibilities, creative writing tasks and exercises;
      • the polyphonics of polylogue, its structural possibilities, creative writing task and exercises;
      • evaluation of the course, discussion, share of the creative work with the group mates.

 

Organizers of creative writing courses maintain a right to change the curriculum.

FAQ

Dates of the upcoming courses and additional information can be received by email [email protected]or found on social media pageIŠ TYLOS

Story-telling, Genres & Structures

ADVANCED CREATIVE WRITING:
STORY-TELLING, GENRES & STRUCTURES

 

Not only the intuition is required in writing a story, but also a solid structure. Structure is highly important for screenwriting, shorter or longer fiction stories, advertisments and even social media posts. It helps to attract attention and reach the certain audience.

Learning about the importance of structures in any type of narrative might sound boring, but it is definitely not: this knowledge helps to understand why some stories are better than the others, how to create the emotional, artistic planes and also how to establish a strong logical foundation.

creative writingPhotography: Glenn Carstens Peters

Gabrielė Labanauskaitė seeks to introduce the group to the principles of narrative construction, concentrating on the structures within any text. This course also involves development of creative writing skills through the exercises and reading of texts.

Duration: 21 academic hour

OBJECTIVES:

      • to introduce to the basics of the narrative structure;
      • to capture imagination and cultivate creativity through writing exercises;
      • to discover all the possible means of structure to create an engaging story;
      • to embed and complement previously built knowledge and establish a relationship with other creative peopleo of a group;
      • to become aware of alternative structures of narrative;
      • to discuss recently gained knowledge and share the work written during the course.

 

QUESTIONS TO BE ANSWERED:

      • what do jokes, social media messages, and fiction literature have in common?
      • what structural elements comprise a story?
      • what perspectives can be used to narrate a story?
      • what are narrators for?
      • how to create a tension and maintain an intrigue?
      • how to approach a reader?
      • why compositional variety is important?

 

PROGRAMME OF THE COURSE:

      • group and course curriculum introduction, discussion, creative writing tasks and exercises;
      • features, forms & structure of short stories (prose and poetry miniatures, jokes, social media content, etc), creative writing tasks and exercises;
      • text scene, four of its main elements and the maintenance of tension & reader’s engagement, creative writing tasks and exercises;
      • an alternative interpretation of the rules: various structures and their possibilities, creative writing tasks and exercises;
      • development of a longer narratives, including symbols, motifs, parallel storylines and etc., similarities and differences between a novel and a short story, creative writing tasks and exercises;
      • exploration of the favorite genre and discovery of the common tendencies, course evaluation, discussion, sharing of creative work within a group.

 

Organizers of creative writing courses maintain a right to change the curriculum.

FAQ


Dates of the upcoming courses and additional information can be received by email [email protected]or found on social media pageIŠ TYLOS